FURNITURE PHOTOGRAPHY

Mark Thomas Furniture working in the studio with new oak table in the Hastings photo studio.


           

NEWS

CLARE CLARKSON DEVELOPMENT
Clare Clarkson's website, showcasing her incredible work as a production designer, set designer, and…
FURNITURE PHOTOGRAPHY
Mark Thomas Furniture working in the studio with new oak table in the Hastings photo studio
HEAR NOW-TREVOR WATTS
A conversation with legendary free jazz saxophonist Trevor Watts. Directed and filmed by Mark French
Nikki J Owen
THE BEST TESTIMONIAL .An Inspiring Experience: Working with Nikki J Owen One of the most rewarding…
PROMO SHOTS FOR ALTITUDE360
New promo shots for ALTITUDE360 Mark France DJ
New Video Production for Kevin Armstrong
New Video for Kevin Armstrong for the featured track "Leucocytes Of Love” from his new album

NEWS

PAINTING REPRODUCTION CHARLOTTE SNOOK
Working to produce reproductions for print with Charlotte Snook
TASS EXHIBITION REPRODUCTION
The visual impact and immense communicative value of TASS posters have been evident since they were first created - in June 1941
CUTTLEFISH
Cuttlefish are nearly all exported to the continent, but the Eurozone crisis has made this more difficult, so we need to develop a market for them here in the UK, something we're happy to do. At HASTINGS TV we thought you would like to support our friends on the beach as they truly are, the soul of our community. Sussex Sea Fisheries Committee has judged the level of fishing well within sustainable limits. They’ve also started to lay artificial substrate in breeding areas to provide a safe place for eggs to develop away from greedy predators. Shop local !!
BOSS DOOR CONTROLS
High quality technical product photography for Boss Door Controls
DEREK JARMAN LUCY BELL GALLERY
Sandy Powell visits the Lucy Bell Gallery for the exhibition of nseen Photographs and film of Derek Jarman and Prospect Cottage by Derek Brown, Richard Heslop, Mark French, Steve Pyke MBE, Ed Sykes, Andrew Catlin, Liam Daniel, Jan Baldwin, Debi Angel and soundscape by Simon Fisher-Turner